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QUESTIONS AND ANSWERS ABOUT THE BOOK
Q. Where did the idea for Season of Water and Ice come from?
DL. Season of Water and Ice grew out of a short story I wrote which appeared in The Cimarron Review, entitled “Family Way.” I liked the characters and the situation I’d created, but I felt the short story didn’t adequately resolve all the issues I’d embedded in it. So I thought it would be interesting to push the characters forward for another couple of hundred pages and see what happened. I didn’t have any master plan; I was just following the characters as they dealt with difficult situations.
Q. Why did you choose to set your story in such an unlikely time and place? i.e., Northern Michigan in the 1950s.
DL. I’ve always thought the decade of the 50s was more complex and interesting than it’s come to be regarded. There is very little fiction that captures that complexity, in my opinion. Most people think of the 50s as a time of blandness and conformity but my recollection is that it was far more interesting than that; full of cross currents and struggles and doubts. Certainly that was true if you were a young person then. The country was in the aftermath of two great traumas, the Depression and the Second World War, and it was in the early years of the nuclear age. People have forgotten, but the prospect of nuclear annihilation was very much on peoples' minds. In the face of all of that, I think there was a desire to make everything seem normal, even if you could only make it look that way on the surface. But underneath—in people’s lives—I believe there was much ferment and struggle. That’s what I was trying to reflect in the book.
As for setting the story on a lake in northern Michigan, I had the experience as a boy of spending a fall and winter in a lakeside cottage, and I remember how austere it could be when the colder weather came on. It was quite surprising to me, because I knew how wonderful that environment could be in the summer. So it was the stunning contrast caused by the slight shift of seasons that seemed interesting to me as a backdrop for a story.
Q. What—at your age—made you write a coming-of-age story?
DL. I don’t think of it as a coming-of-age story; I just had a situation and some characters I wanted to explore. In any event, beyond being the story of a boy "growing up," I think the book says something about life and human relationships, and the lengths people go to preserve a sense of belonging and a feeling of being loved.
Q. To what extent is Season of Water and Ice autobiographical?
DL. Danny is not me, as far as I know. Although my family did move several times when I was growing up, so I know what it’s like to be an outsider, at least for a time. And for some reason those moves involved very different places—large cities, small towns, suburbs, the country—and so I also know what it’s like to change cultures, as Danny has done in the book. But beyond that, I think Danny and I are completely different people.
Q. Do you think the character Danny is typical of teenage boys in the 1950s?
DL. Danny desperately wants to understand what life is all about, and he goes about it in a thoughtful and sensitive way. And for that reason I have the feeling he will seem like a very unusual boy to some readers. But my own feeling is that he’s actually not that unusual, either with respect to the 1950s or now. Boys are more complicated and have a greater access to tender emotions than they’re generally given credit for.
Q. What caused you to begin writing at such a late stage in your life?
DL. I worked as an engineer for many years, but I always loved language and literature, and I knew that some day I would try my hand at writing fiction. Then, in 1993, I had an operation that required a long period of recuperation. I suddenly had a lot of idle time to fill up, and I decided it was a good opportunity to finally try to write. And then I found that I enjoyed writing to the point of wanting to make it a permanent part of my life. When I went back to work, I made some changes that allowed me to write on a regular schedule. It required a bit of a career shift, but in retrospect I’m happy I made that decision.
Q. You’ve lived most of your life in Michigan. How do you think that has affected your writing?
DL. I’ve lived most of my life in Michigan but not all of it. I lived in Berkeley, California from 1968 to 1972, which was a very interesting time and probably affected me in certain important ways. And I’ve lived for extended periods in France and Mexico and Canada. But I do consider myself a Midwesterner, and not with any hesitancy. I like the common sense approach to life that's embedded in Midwestern culture. And I like the sincerity of Midwestern people, the lack of guile and affectation. On the other hand, I think it helps to be aware of the particularities of whatever place you live in, whether it’s the Midwest or New York or Paris, or anywhere else, and to try to take account of that in your thinking about broader issues. I try to do that. I don’t know if I always succeed, but I try. |
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